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难得一见的唐三彩出土图片
双击自动滚屏 发布者:河洛唐三彩 发布时间:2010-05-20 阅读:10835

 
 
                                                     

                                                      

唐三彩的一个主要特点就是釉色。以黄、白、绿为基本釉色,匠人们又巧妙地运用施釉的方法,让它交错、间错地使用,然后在高温下经过高温烧制以后,釉色又浇融流溜形成独特的流窜工艺,出窑以后,三彩就变成了很多的色彩,它有原色、有复色、有兼色,人们能够看到的就是斑驳淋漓的多种彩色。

因其是一种盛行于唐代的陶器,又以黄、白、绿为基本釉色,故称为唐三彩。

Tang sancai wares were northern wares made using white and buff-firing secondary kaolins and fireclays (Wood 1999) at kiln sites that include Tongchuan in Shaanxi, Neiqui county in Hebei and Gongxian in Henan (Wood 1999). The clays used for burial wares were similar to those used by Tang potters for the bodies of high-fired whitewares, but the burial wares were fired at a lower temperature than contemporaneous whitewares. Burial wares, such as the well-known representations of camels and horses, were cast in sections, in moulds, the parts being luted together with a clay slip. In some cases, a degree of individuality was imparted to the assembled figurines by hand-carving.

Sancai means three-colours. However, the colours of the glazes used to decorate the sancai wares of the Tang dynasty were not limited to three in number. In the West, Tang sancai wares were sometimes referred to as egg-and-spinach by dealers, not without reason, for three of the colours commonly used in its decoration were green, yellow and white (though the latter two colours might more properly be described as amber and off-white or cream).

 
 

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